Matthew Mannion Bass-Baritone

Matthew Mannion Bass-BaritoneMatthew Mannion Bass-BaritoneMatthew Mannion Bass-Baritone
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Matthew Mannion Bass-Baritone

Matthew Mannion Bass-BaritoneMatthew Mannion Bass-BaritoneMatthew Mannion Bass-Baritone
Home
About
Listen
Diary
Gallery
Contact
Repertoire
More
  • Home
  • About
  • Listen
  • Diary
  • Gallery
  • Contact
  • Repertoire
  • Home
  • About
  • Listen
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  • Contact
  • Repertoire

About

Rising Stars recipient Matthew Mannion is originally from Billings, Montana but relocated with his family back to Ireland where he began and completed his studies, receiving his Undergraduate and Masters in Music Performance from the Royal Irish Academy of Music. Matthew has over a decade of performance experience and has performed with companies such as Irish National Opera, Opera Theater Company, Nouvel Opera Fribourg, Blackwater Valley Opera Festival, Wide Open Opera, Ulysses Opera, Lyric Opera Ireland, Opera Collective Ireland, and the Cork Midsummer Festival. He has performed many roles including  Masetto in Don Giovanni, Melisso in Alcina, Guglielmo in Cosi fan tutte, Bartolo in Le nozze di Figaro, and two world premiere roles Owen in The Stalls and Liam in Backstage both written by Tom Lane. His small and secondary roles include Morales in Carmen, Marchese in La Traviata, Un Chasseur in Guillaume Tell, Kellner 4 in Der Rosenkavalier, 2nd Prisoner in Fidelio, Victorian 4 in William Todd’s Alice’s Adventures in Wonderland,  and Imperial Commissioner in Madama Butterfly. Matthew has also sung as a soloist in oratorios such as The Messiah, Elijah, Stanford’s Mass in G, Mozart’s Requiem, Beethoven’s Mass in C, Charpentier’s Messe de Minuet, C.P.E. Bach’s Magnificat, and Haydn’s Die Sieben letzten Worte unseres Erlösers am Kreuze. Matthew has been a finalist in the Bernadette Greevy Bursary, Glenarm Festival of Voice, Trench Award, and received 3rd place in the 2017 Irene Sanford Competition. He also was granted the Agility Award in 2022 by the Arts Council of Ireland to further fund his operatic studies. 

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